Consumption of Experience

By Danielle Boudreau

Image 

 

In “The Restaurants Book: Ethnographies of Where We Eat” (David Beriss and David Sutton, eds. www.bergpublishers.com) Derek Pardue talks of the “consumption of experience” whereby “exoticness and familiarity are purchased scenes in which food and eating experience play a significant role” (2007:67).  Design, decor, and music play into this experience almost as much as the patrons and food itself.  The Hispanic restaurants of our neighborhood each contribute in some manner to this consumption of experience.  Whether it is as a more “authentic” offering of Latin American food, such as at Taqueria Guerrero and El Rinconcito, a fusion of cultures, such as the New Orleans inspired version of Hispanic food at Juan’s Flying Burrito, or Mexican fusion cuisine offered at the upscale Canal Street Bistro, one can be sure these restaurants stay busy with locals for various reasons. They each offer a different “experience”, depending on one’s mood, so it seems as though they are not in competition.  While I might want a Mardi Gras Indian Taco at Juan’s one night, the next may find me hankering for some flautas at Felipe’s. Such is the key to the success of these restaurants in our study (not to mention, all offer unbelievable cuisine!!)

ImageImageFelipe’s Taqueria (http://www.felipestaqueria.com)

 

 

Local (Culture)

By Danielle Boudreau

 

The second of our three concepts of “local” refers to local culture.  The food served at the establishment does not necessarily have to be grown in the garden next door for it to still represent the local culture. For instance, the self-dubbed “Creole Taqueria,” Juan’s Flying Burrito (http://www.juansflyingburrito.com), integrates Latin American culture with New Orleans’ culture beautifully. Albeit “Americanized” cuisine, with plenty of cheese and variations of sour cream, it is still a sit down establishment where family and friends can congregate over burritos, tacos, quesadillas or enchiladas, much to the tradition of the Latin American way. Locals and visitors alike frequent this place- its hard to get a table around lunchtime any day of the week! As there are numerous people in business attire as well as scrubs, it seems that Juan’s is the hot spot for taking a break from the daily grind.The “Mardi Gras” tacos, coupled with a full Saints drink menu and décor made from Mardi Gras beads give one the impression that the New Orleans vibe is still seeping in at this establishment. Those wanting to fully integrate both worlds can purchase a T-shirt sporting the logo “Hecho in Nola”. Or, perhaps they can start a New Orleans traditional “second line” parade down  Carrollton Avenue headed by a Mariachi band? Anything is possible in New Orleans where all culture is welcome, but local culture is celebrated fiercely.ImageImageImage

“Local” (ethnicity)

By Danielle Boudreau

The last concept of local we should examine is a bit hard to articulate.  It involves representing the concept of “local” for those who may be far from home.  El Rinconcito, Taqueria Guererra, and even Canal Street Bistro, on some levels, all successfully accomplish this task for the immigrants and transplants who have been here since Hurricane Katrina.  In terms of decor, el Rinconcito and Taqueria Guererra both remind me of the many restaurants I visited in Central America.  Spacious, brightly colored, and with minimal decorations, the focus of the experience in these restaurants is on the authenticity of the food and the company one keeps while there.

Taqueria Guerrero is a restaurant that is “true” to the Mexican culture, offering up native dishes such as “Pollo Empanizado”, “Chiles Rellenos” and “Arroz con Frijoles” (a Mexican alternative to the New Orleanian Red Beans and Rice).It also serves as a place for local immigrants to maintain contact with their respective families back home- there is a separate counter where people can purchase prepaid calling cards and other items, a set-up similar to the Hispanic “pulpuria” (a convenience store sometimes located in restaurants or other popular gathering spots).

El Rinconcito translates literally to “the little corner”, and one can see that a more casual meaning of this restaurant’s name refers to the little corner of the world that it represents- that is, a loyal rendition of Central American cuisine. The name further translates to a place where the Central American immigrants find comfort in companionship after a hard day’s work. One does not find this place empty after 4pm- on the contrary- the bar has only room to stand, as does the room with the pool table, while the tables of the restaurant are full of those wishing to unwind and experience a little piece of “home” in their own little corner of the world, located in New Orleans, as well as local neighbors wishing to taste some “authentic” Central American cuisine.

As for Canal Street Bistro, Chef Peters attempts to use ingredients from the five native cultures of the Americas that may not be commonplace in our local New Orleanian culture.  Not only do American residents get to taste and experience these other cultures, but it provides some familiarity and comfort for those who are immigrants to get an authentic taste of “home”.

 

ImageImage

Local (grown)

By Danielle Boudreau

The first concept of “local” that we will examine is that of origin.  I.e., food that is cultivated locally.  Two of our restaurants on the row that serve Hispanic food vehemently support this notion of “local”.  Chef Guillermo Peters and Owner Monica Ramsey, of Canal Street Bistro insist on using local products, particularly in their choices of seafood (http://www.canalstreetbistro.com). Co-owners of El Rinconcito (http://www.elrinconcitocaferestaurant.com), Mervin Duque and his mother Maria Louisa, insist that they only use “fresh” ingredients, which they believe is to be grown locally, in their Central American cuisine. Both restaurants take great pride in their culinary creations, and they believe this pride can only be cultivated by paying tribute to the local area of New Orleans.  How is this an important contribution to the Restaurant Row? Not only are they offering fresh, delectable dishes for those residents and visitors alike who crave either traditional or innovative Hispanic fare, but they are contributing to the local economy by attempting to secure their seafood, meats, and produce from the area in which they conduct business.

ImageImage

images

La Cultura que Representa la Cultura (Culture Representing Culture)

By Danielle Boudreau

People would like for everything related to “culture” to specifically represent the city, but it is not that simple. Various ethnic backgrounds, some distinct and some blended, that inhabit a space, are what form the basis of our city culture that we try to “define”. Here in our Restaurant Row neighborhood, Hispanic culture is presented in myriad ways that all contribute to the collective society and success of the Mid City area. Since Hurricane Katrina, not only has the neighborhood of Mid City consistently thrived, but the Greater New Orleans Community Data Center shows that there has been an increase of residents in Orleans Parish who identify themselves as “Hispanic” of nearly 7%.  We will examine five restaurants, El Rinconcito, Taqueria Guerrero, Felipe’s, Juan’s Flying Burrito, and Canal Street Bistro. They are all attempts to integrate Central American culture and cuisine into Restaurant Row, but each represents a varying shade of the spectrum, under the definition of “Hispanic” culture. In the following essays, we will look at a concept called “consumption of experience”, and we will see how these restaurants contribute to three different ideas about “local”- whether they use locally grown food, represent the local culture, or represent a “local” culture for those looking for a familiarity from home- i.e. their concept of “local” via ethnicity.

 

ImageImageImageImageImage